Peter Murphy Lewis went on The Build Zone Podcast — a construction show produced by ABC Massachusetts — and opened with a line that reframes the whole hiring conversation in the skilled trades: the industry does not have a labor shortage, it has a story shortage.
Host Mike Beaulieu had invited him on to talk about the People Worth Caring About docuseries, the docuseries Peter created about people in overlooked jobs. What the conversation actually became was a working session on recruitment — why guidance counselors still file the trades under “plan B,” why pride inside the trades has never been the problem, and what a three-year documentary about one apprentice might do that a recruitment ad cannot.
Peter is a former television host who filmed roughly 120 different jobs on camera across South America, became a certified nursing assistant at 45, and now runs documentary video production work for companies in industries that struggle to explain themselves. The trades, he argues, are the clearest case of that problem he has found. For more on this, see our article on construction marketing that wins work.
Key Takeaways
1. The trades have a story shortage, not a labor shortage
This is the sentence the episode turns on. “I don’t think that we have a labor shortage in the trades. I think that we have a story shortage,” Peter tells Mike around the seventeen-minute mark. His argument is that recruitment marketing keeps describing the trades as a job — hours, wages, benefits — when the thing that actually moves people is a mission. “The trades are not a job. The trades are how society grows. Our society doesn’t exist without them.” He is careful to say this is not spin: he is translating a task into the terms that people outside the industry already respond to.
2. Tradespeople don’t lack pride — the public lacks perspective
Asked where the disconnect sits, Peter puts it plainly: “Tradespeople don’t lack pride. It’s the public that lacks perspective.” He points to three causes. The return on trade education is unusually good — little or no debt, high demand, and something physical you can point at and say you built it. The prestige gap between white-collar and blue-collar work is closing. And guidance counselors, traditionally the gatekeepers of career paths, have treated the trades as a fallback for so long that the label outlived the reality.
3. Story-first recruiting changes how the trade sees itself, not just how outsiders see it
The part of Peter’s answer that is easy to miss: adding a story to the work does two jobs at once. It changes the perception of people who are not in the trades, and it changes the pride of the people who are. “It gives them a mission,” he says. Mike’s response from the training side of ABC Mass is the proof — his hardest recruiting problem is not students, it is finding experienced tradespeople willing to stand in front of a classroom.
4. A documentary built to last a decade, not a campaign built to last a quarter
Peter describes a project an industry association asked him to design after posing the question: how do we tell a story with a lasting impact over one or two decades? The answer he built is a documentary filmed three years running, following the same person — first year, entering the programme; second year, working in the field; third year, teaching the next intake. It is a structure that turns a recruitment problem into a visible career arc rather than a poster.
5. Documentaries are not a Netflix play — they are a supply of clips
“A documentary is not something that just sits on Netflix or Amazon or Hulu,” Peter says. From a marketing point of view the film is the raw material at the bottom of the funnel; the marketer’s job is to cut it into clips that bring new audiences in. He is explicit that tradespeople should not have to understand a marketing funnel — their job is to translate what they love about the work, and to find a marketer, a filmmaker or an educator who can carry it further.
6. Start younger than you think, and teach the business alongside the craft
Asked at what age students should meet the trades, Peter answers grade school, and grounds it in something he has already seen work: the healthcare documentary he filmed aft